Creo que este es el primer hilo que me atrevo a abrir, y en mi línea de
no frecuentar cminos demasiado trillados os propongo hablar de Jerome Hines.
Wikipedia escribió:
The American bass Jerome A. Hines (November 8, 1921 – February 4, 2003) was a well-known basso opera singer who was associated with the Metropolitan Opera for many years. His height (6ft 6 inches, or 2m), stage presence and stentorian voice made him ideal for such roles as Sarastro in The Magic Flute, Mephistopheles in Faust, Ramfis in Aida, the Grand Inquisitor in Don Carlos, the title role of Boris Godunov and King Mark in Tristan und Isolde.
Hines was born Jerome Albert Link Heinz in Hollywood, California. He studied mathematics and chemistry at the University of California, while also taking vocal lessons. Hines made his operatic debut at the San Francisco Opera in 1941, singing Monterone in Rigoletto. He changed his surname to Hines at the suggestion of his manager Sol Hurok to avoid the anti-German feelings prevalent during World War Two.[1]
In 1946, Hines made his debut at the Met as the Sergeant in Boris Godunov. He went on to sing forty-one seasons there, longer than any other Met singer, encompassing forty-five roles in thirty-nine operas.
In 1953, Hines made his European debut with Glyndebourne as Nick Shadow at the Edinburgh Festival in the first British performances of Stravinsky's The Rake's Progress. In 1958, he made his debut at La Scala in the title role of Handel's Hercules. From 1958 to 1963, he sang at Bayreuth in the roles of Gurnemanz, King Mark and Wotan. In 1961, he first appeared at the San Carlo in the title role of Boito's Mefistofele. In 1962, he sang Boris Godunov at the Bolshoi in Moscow, famously for Soviet leader Nikita Khruschev on the eve of the resolution of the Cuban Missile crisis.
Hines turned to coaching later in his career, founding the Opera-Music Theatre Institute of New Jersey in 1987, but he continued performing virtually until the end of his life; his last stage performance was as Grand Inquisitor with the Boston Bel Canto Opera in 2001 at the age of 79.
Hines was born Jerome Albert Link Heinz in Hollywood, California. He studied mathematics and chemistry at the University of California, while also taking vocal lessons. Hines made his operatic debut at the San Francisco Opera in 1941, singing Monterone in Rigoletto. He changed his surname to Hines at the suggestion of his manager Sol Hurok to avoid the anti-German feelings prevalent during World War Two.[1]
In 1946, Hines made his debut at the Met as the Sergeant in Boris Godunov. He went on to sing forty-one seasons there, longer than any other Met singer, encompassing forty-five roles in thirty-nine operas.
In 1953, Hines made his European debut with Glyndebourne as Nick Shadow at the Edinburgh Festival in the first British performances of Stravinsky's The Rake's Progress. In 1958, he made his debut at La Scala in the title role of Handel's Hercules. From 1958 to 1963, he sang at Bayreuth in the roles of Gurnemanz, King Mark and Wotan. In 1961, he first appeared at the San Carlo in the title role of Boito's Mefistofele. In 1962, he sang Boris Godunov at the Bolshoi in Moscow, famously for Soviet leader Nikita Khruschev on the eve of the resolution of the Cuban Missile crisis.
Hines turned to coaching later in his career, founding the Opera-Music Theatre Institute of New Jersey in 1987, but he continued performing virtually until the end of his life; his last stage performance was as Grand Inquisitor with the Boston Bel Canto Opera in 2001 at the age of 79.
Aunque en English, creo que se entiende lo suficiente. Aquí os dejo una foto:
¿HABLAMOS?
? Supongo que está cantada en inglés, ¿no?
