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• Ver Tema - Grandes momentos del viejo Met.

Fecha actual 17 Feb 2019 10:21

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 Asunto: Re: Grandes momentos del viejo Met.
NotaPublicado: 18 Sep 2018 0:47 
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 Asunto: Re: Grandes momentos del viejo Met.
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Sí señor, una despedida de diva a la antigua xD


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 Asunto: Re: Grandes momentos del viejo Met.
NotaPublicado: 22 Sep 2018 20:23 
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Un verdadero tigre el Sr. Chino :reverencia: .
Gracias por toda la documentación aportada de nuestra paisana Lucrecia.

Por cierto, hace unas fechas durante el Camino de Santiago, en Burgos me puse las botas en casa Pancho. Todo buenísimo, la famosa morcilla y todo lo que pedí espectacular.
-------------------------------------
Era tan pobre que solo tenía dinero :(
La vida está llena de pequeñas cosas que son las que te hacen feliz :lol:


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 Asunto: Re: Grandes momentos del viejo Met.
NotaPublicado: 28 Sep 2018 19:10 
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Ubicación: ¿Invadiendo Polonia?
He descubierto este gran hilo casi por casualidad. Enhorabuena, Chino, y espero que lo mantenga a flote. :aplauso:


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 Asunto: Re: Grandes momentos del viejo Met.
NotaPublicado: 28 Sep 2018 23:03 
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Muy buen hilo, Chino, también estoy siguiendo tu canal.


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 Asunto: Re: Grandes momentos del viejo Met.
NotaPublicado: 29 Sep 2018 14:24 
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Gracias. :) Esta semana estoy algo liado por el trabajo, pero espero volver a la carga en breve. Lo ideal sería que otros foreros también enlazaran y comentaran grabaciones del viejo Met. :wink:


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 Asunto: Re: Grandes momentos del viejo Met.
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 Asunto: Re: Grandes momentos del viejo Met.
NotaPublicado: 01 Oct 2018 13:40 
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Más que el "experto" Dimitri Mitropulos, yo diría "el genial" Dimitri Mitropoulos 8)


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 Asunto: Re: Grandes momentos del viejo Met.
NotaPublicado: 04 Oct 2018 0:22 
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 Asunto: Re: Grandes momentos del viejo Met.
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La carrera de Toscanini en el Met se sitúa entre los años 1908 y 1915, período del que no existen grabaciones (los cilindros de Mapleson son de 1901-1903 y las famosas transmisiones por radio de los sábados comenzaron en 1931). Así que para escuchar en vivo el Verdi de Toscanini hay que avanzar a las décadas de 1930 y 1940 (han quedado registradas algunas de sus incursiones en el festival de Salzburgo y son sobradamente conocidos sus conciertos radiofónicos con la BBC y la NBC). Lucrecia Bori y Arturo Toscanini coincidieron en el teatro neoyorquino en 32 ocasiones entre 1913 y 1915, según la base de datos del Metropolitan.


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 Asunto: Re: Grandes momentos del viejo Met.
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 Asunto: Re: Grandes momentos del viejo Met.
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Un momento histórico y trágico del viejo Met : 4 de marzo 1.960, la muerte en escena del gran Leonard Warren , en pleno tercer acto de la Forza del Destino.... Urna fatale...

Copio y rescato de los propios archivos del Met...muy interesante

Sobre la muerte de L. Warren, de los archivos del MET:
---------------------------------------------------------------------------------------------------------------------------------------------------------
Met Performance CID:184330
La Forza del Destino. Metropolitan Opera House: 03/4/1960.

(Death of Leonard Warren
Review and Account)



Metropolitan Opera House
March 4, 1960

La Forza del Destino: Acts I, II partial
Giuseppe Verdi--Francesco Maria Piave

Leonora.................Renata Tebaldi
Don Alvaro..............Richard Tucker
Don Carlo...............Leonard Warren [Last performance]
Padre Guardiano.........Jerome Hines
Fra Melitone............Salvatore Baccaloni
Marquis de Calatrava....Louis Sgarro
Curra...................Carlotta Ordassy
Surgeon.................Roald Reitan

Conductor...............Thomas Schippers

[Verdi's opera was performed in three acts this season;
Acts I and II were performed as Act I with the Inn Scene omitted.

Leonard Warren died in Act II after his aria Urna Fatale del mio destino.
In the first violin part of the Concertmaster, the exact spot is marked:
one measure after the Letter I, following the words Ora egli viva... e di mia man poi muoia...]

Review of performance and account of Leonard Warren's death by Raymond A. Ericson in Musical America

In one of the most dramatic and tragic events to take place on the stage of the Metropolitan Opera House, Leonard Warren was stricken with a cerebral hemorrhage and died during a performance of "La Forza del Destino" on March 4

The capacity audience that witnessed the occurrence in stunned disbelief had begun the evening in a state of excited anticipation-Renata Tebaldi was returning to the company for the season, and the cast included a triumvirate of leading American singers-Mr. Warren, Richard Tucker, and Jerome Hines. An ovation greeted Miss Tebaldi, the Leonora, when the curtain went up, and the audience's enthusiasm continued to erupt after each of the great Verdian arias and ensembles that followed.

In the middle of Act II (as given at the Metropolitan), the duet for Mr. Warren and Mr. Tucker, "Solenne in quest' ora" brought another crescendo of applause and bravos. Mr. Warren then was left onstage alone to sing the recitative that begins "Morir! Tremenda cosa!" ("To die! Tremendous moment!"). How ominous this phrase was to prove! Mr. Warren continued into the superb aria that follows, "Urna fatale" (0 fatal pages"), and he had never seemed in better form as his remarkable voice rode the long legato phrases and soared excitingly through the cadenzas to the climactic high notes. At the end, he stood quietly until the shouts of approval had died away. Moving to stage left he completed his next few lines of recitative and then fell forward heavily, as if he had tripped.

Roald Reitan, as the Surgeon, entered, singing his single phrase, "Lieta novella, e salvo" ("Good news I bring you, I saved him"). No response came from Mr. Warren, as Thomas Schippers, the conductor, waited with upstretched arms to bring the orchestra in.

Uncertainty and wonder gripped everyone for a few seconds, and the audience stirred uneasily. Mr. Reitan then went quickly over to Mr. Warren, knelt by his side. The audience did not know that Mr. Reitan raised Mr. Warren's head slightly, that the stricken baritone uttered faintly the word "Help!" and then went limp. The audience was only aware of Mr. Reitan's looking anxiously into the wings and at Mr. Schippers, and of a voice in the auditorium saying clearly, "Bring the curtain down!"

The great golden curtains came down. Mr. Schippers waited at his post and the audience waited in their seats for several minutes until Rudolf Bing, general manager of the Metropolitan, appeared before the curtains to announce that the performance would continue. Shortly thereafter, another member of the staff appeared, saying there would be an intermission until the replacement (Mario Sereni) who had been called to substitute for Mr. Warren arrived for the opera.

Backstage, meanwhile, the gravity of the baritone's condition immediately became apparent. Dr. Adrian W. Zorgniotti, the house physician, who was in the audience, ran backstage, examined Mr. Warren and called for oxygen. An ambulance and a police emergency truck carrying oxygen were called. Oxygen supplies kept in the Metropolitan's first-aid room were rushed backstage. Osie Hawkins, Metropolitan bass, and two staff attendants attempted to breathe into Mr. Warren's mouth.

Mr. Warren's wife, Agathe, had attended the performance and was at her husband's side during his final moments. She alone, at one point, had seen a peculiar expression on Mr. Warren's face and realized that all was not well with him. Also present was Mgr. Edwin Broderick, of St. Patrick's Cathedral, who left the audience to come backstage and administer the last rites of the Roman Catholic Church. And at some point after 10 o'clock Mr. Warren died.
About 10:30, warning bells rang in the lobbies, and the audience filed back to their seats. Mr. Bing reappeared before the curtain, his expression grave.
"This is one of the saddest days in the history of opera," he began. "I will ask you please to stand," he continued, as the shaken audience uttered gasps of disbelief, in memory of one of our greatest performers, who died in the middle of one of his greatest performances."After the audience had arisen, some of the members openly sobbing, Mr. Bing concluded: "I am sure you will agree with me mat it would not be possible to continue with the performance." Slowly, a dazed and saddened public departed.

Leonard Warren, who was 48 years old, died at the height of a career in which he was acclaimed as one of the great operatic baritones of our time. Only four days before his death he had received some of the highest praise ever accorded a singer for his performance of the title role in a new production of Verdi's "Simon Boccanegra."

He made a specialty of the Verdi repertoire, and he invariably sang with distinction the many superb baritone roles created by the great Italian operatic composer. He was perhaps, best known for his Rigoletto, a role that he not only sang repeatedly at the Metropolitan but also at La Scala in Milan and at the Bolshoi Theatre in Moscow. In addition to the roles already mentioned, he was familiar to Metropolitan audiences as the elder Germont in "La Traviata", di Luna in "Il Trovatore", "Iago in "Otello", Macbeth, Amonasro in "Aida", Renato in "Un Ballo in Maschera", Carlo in "Ernani". He was also much admired for such non-Verdi roles as Scarpia in "Tosca", Gerard in "Andrea Chenier", Barnaba in "La Gioconda", and Tonio in "Pagliacci".


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 Asunto: Re: Grandes momentos del viejo Met.
NotaPublicado: 04 Oct 2018 14:35 
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En las siguientes funciones de esta FORZA tràgica, el rol de Carlo di Vargas fue cantado por Mario Sereni


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 Asunto: Re: Grandes momentos del viejo Met.
NotaPublicado: 04 Oct 2018 14:49 
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https://www.nytimes.com/1975/01/11/arch ... neral.html

Aparte de los históricos momentos musicales , el viejo Met fue es el escenario por primera y única vez en su historia, de un funeral de uno de sus grandes ídolos
Sucedió el 10 de enero 1.975, el funeral cuerpo presente del tenor Richard Tucker quien falleció dos días antes, en la ciudad de Kalamazoo


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 Asunto: Re: Grandes momentos del viejo Met.
NotaPublicado: 04 Oct 2018 14:59 
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https://m.youtube.com/watch?v=oVd0RU6dpF0

Barriendo para casa. En el Viejo Met, 1.963, ...teco io sto....Bello in Maschera, Richard Tucker / Brigit Nilsson


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