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Ópera completa en youtube: links http://unanocheenlaopera.com/viewtopic.php?f=2&t=16036 |
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Autor: | landom [ 07 Nov 2017 21:43 ] |
Asunto: | Re: Ópera completa en youtube: links |
Pagliacci 1979 Madrid La Zarzuela Canio: Plácido Domingo Nedda: Paloma Pérez Iñigo Tonio: Joan Pons Beppe: Juan Porras Silvio: Martín Grijalba Director: Oliviero de Frabritis Teatro Nacional de la Zarzuela - Orquesta Nacional de España Coro Titular Madrid 1979 https://www.youtube.com/watch?v=tcPbwxPfdZs |
Autor: | Rupert de Hentzau [ 08 Nov 2017 0:10 ] |
Asunto: | Re: Ópera completa en youtube: links |
Supermaño escribió: No se si estaba ya enlazada: Gioachino Rossini - Guillaume Tell (ROH, 2015) De entrada y hablando de rankings, listas y mundiales, nunca he entendido la escasa presencia en ellos de esta ópera, que es uno de los títulos más importantes del siglo XIX, o sea, de la historia del género. Busquen, busquen. En el hilo de las veinte aún no ha sido ni mencionada. Se ve que “los italianos” la consideran demasiado larga y “los alemanes” demasiado ligera. A mí me parece un operón. Suscribo por completo. El "Tell" es una de mis óperas de cabecera: un punto final deslumbrante para una carrera fascinante como la de Rossini. En cuanto a esta versión en concreto, aquí enlazo lo que comenté en su momento, por si le interesa leerlo. Más o menos coincidimos en nuestras apreciaciones, lo cual, como usted bien sabe, es una gran placer para mí . viewtopic.php?p=708053#p708053 |
Autor: | Khayman [ 08 Nov 2017 10:27 ] |
Asunto: | Re: Ópera completa en youtube: links |
El afamado El gran macabro con la Fura del Baus y subtítulos en castellano https://www.youtube.com/watch?v=uS5-A61Ow4s |
Autor: | Supermaño [ 08 Nov 2017 19:34 ] |
Asunto: | Re: Ópera completa en youtube: links |
Rupert de Hentzau escribió: Suscribo por completo. El "Tell" es una de mis óperas de cabecera: un punto final deslumbrante para una carrera fascinante como la de Rossini. En cuanto a esta versión en concreto, aquí enlazo lo que comenté en su momento, por si le interesa leerlo. Más o menos coincidimos en nuestras apreciaciones, lo cual, como usted bien sabe, es una gran placer para mí . viewtopic.php?p=708053#p708053 Es cierto, parece que estamos bastante de acuerdo. Usted le atiza más a Michieletto, eso sí. |
Autor: | angelparsifal [ 09 Nov 2017 13:22 ] |
Asunto: | Re: Ópera completa en youtube: links |
https://www.youtube.com/watch?v=mzmYfdsmgDg Un Oro del Rhin del Nuevo (viejo) Bayreuth con Kempe a la batuta y un reparto entonces de segunda, pero que hoy suspiraríamos por ver: Wotan: Theo Adam Donner: Marcel Cordes Froh: Horst Wilhelm Loge: Kenneth Neate Fricka: Grace Hoffman Freia: Jutta Meyfarth Erda: Marga Höffgen Alberich: Otakar Kraus Mime: Erich Klaus Fasolt: Franz Crass Fafner: Peter Roth-Ehrang Woglinde: Barbara Holt Wellgunde: Elisabeth Schwarzenberg Floßhilde: Sieglinde Wagner |
Autor: | angelparsifal [ 15 Nov 2017 13:33 ] |
Asunto: | Re: Ópera completa en youtube: links |
Además de la famosa grabación de Mascagni dirigiendo su propia obra en 1940 con el gran Gigli, he encontrado esta otra Cavalleria dirigida por el mismo autor en Holanda en 1938, esta vez con Antonio Melandri como Turiddu. Y Lina Bruna Rasa también es Santuzza en este registro. https://www.youtube.com/watch?v=raX-JxHt6wc Santuzza: Lina Bruna Rasa Lola: Maria Meloni Turiddu: Antonio Melandri Alfio: Alfro Poli Lucia: Rina Gallo Toscani Ocherstra and Choir of the Dutch "Italian Opera-company" Conducted by Pietro Mascagni Live recorded at the Royal Theatre in The Haque : november 7, 1938. |
Autor: | El Chino Cudeiro [ 17 Nov 2017 19:33 ] |
Asunto: | Re: Ópera completa en youtube: links |
Metropolitan Opera House January 4, 1941 Matinee Broadcast TANNHÄUSER {320} Wagner-Wagner Tannhäuser..............Lauritz Melchior Elisabeth...............Kirsten Flagstad Wolfram.................Herbert Janssen Venus...................Kerstin Thorborg Hermann.................Emanuel List Walther.................John Dudley Heinrich................Emery Darcy Biterolf................Mack Harrell Reinmar.................John Gurney Shepherd................Maxine Stellman Dance...................Ruthanna Boris Dance...................Lillian Moore Dance...................Helen Longacre [Debut] Dance...................Elissa Minet Dance...................Mary Smith Dance...................Grant Mouradoff Dance...................Josef Levinoff Conductor...............Erich Leinsdorf https://www.youtube.com/watch?v=NI1cfr80sds Review signed "K" in Musical America The first "Tannhäuser" of the season was given at the Saturday matinee on Jan. 4, with singers in the leading roles whose impersonations were all familiar from other years. This was a singularly well-knit performance with the singers all doing their best. Mr. Melchior got off to a poor start, but improved as the opera progressed and sang the "Romerzählung" with dramatic sincerity and excellent tone. Wolfram is Mr. Janssen's most striking role and he made much of it from both angles. His singing of "The Evening Star" was a beautiful piece of lyric vocalization. Mr. List made a dignified and sonorous Landgraf. On the distaff side, Mme. Flagstad carried the honors. Her "Dich, Teure Halle" has always been a masterpiece, and the dramatic scene at the close of the act seems to have gained in poignancy. The "Prayer" was also very fine. Mme. Thorborg sang Venus's music in her best style which is very good indeed, but this rôle is more effective when sung by a soprano with a good low register. The lesser roles were capably filled. Mr. Leinsdorf conducted splendidly. The single exception which one might make is his continuing to take the March in the tempo of a gallop, a precedent established by the late Mr. Bodanzky, which is confusing to both eye and ear. Metropolitan Opera House March 22, 1941 Matinee Broadcast AIDA {445} Giuseppe Verdi--Antonio Ghislanzoni Aida....................Stella Roman Radamès.................Giovanni Martinelli Amneris.................Bruna Castagna Amonasro................Leonard Warren Ramfis..................Ezio Pinza King....................Norman Cordon Messenger...............Lodovico Oliviero Priestess...............Maxine Stellman Dance...................Ruthanna Boris Dance...................Grant Mouradoff Conductor...............Ettore Panizza https://www.youtube.com/watch?v=JYosQ9BblDU Metropolitan Opera House November 29, 1941 Matinee Broadcast LA TRAVIATA {239} Giuseppe Verdi--Francesco Maria Piave Violetta................Jarmila Novotna Alfredo.................Jan Peerce [Debut] Germont.................Lawrence Tibbett Flora...................Thelma Votipka Gastone.................Alessio De Paolis Baron Douphol...........Arthur Kent Marquis D'Obigny........George Cehanovsky Dr. Grenvil.............Louis D'Angelo Annina..................Helen Olheim Dance...................Monna Montes Dance...................Alexis Dolinoff Dance...................Leon Varkas Conductor...............Ettore Panizza https://www.youtube.com/watch?v=O4PBG56q72w Review of Olin Downes in The New York Times A tragical event would have marred the pleasure of the audience, which attended an exceptionally interesting presentation of Verdi's "Traviata" yesterday afternoon in the Metropolitan Opera House, had those present known of the occurrence. It was the sudden death, little more than an hour before the curtain, of Gennaro Papi, who was to have led the performance. Through many years this veteran of the Metropolitan had accumulated friends as well as admirers. He was by nature and experience particularly endowed to interpret an opera which he loved. It was fated otherwise. What the audience saw, and all that it knew until after the performance, was that Frank St. Leger took the orchestra through the performance of the National Anthem, after which Ettore Panizza, on a few minutes' notice, and of course without rehearsal, took the baton. Holding his forces firmly together, he gave a well-knit interpretation. This occasion saw the Metropolitan debut of Jan Peerce as Alfredo, the first Metropolitan appearance this season of Lawrence Tibbet as Germont and, above all, the Violetta of Mme. Novotna. Mme. Novotna's picture of the lost one has a fascinating distinction and sincerity, exceptional pathos and pervasive charm. She knows well that the bravura air of the first act was never intended by Verdi as a display of vocal pyrotechnics, but as revelation by means of ornamental song of the Violetta who concealed her waning strength, her disillusion and despair. Here, at the beginning, she makes plain the end, and she does it with an absence of professional tricks and a degree of good taste which are convincing as they are refreshing to the intelligence. Draw down the house with "S'empre libera" ? It's been done a thousand times, and can be done if it is not executed half as artistically as Mme. Novotna delivered the passage yesterday. Then there was the new Alfredo. Mr. Peerce's audience, whether present on the other side of the footlights, or in coast-to-coast places over the land, was delighted, and with good reason, by the appealing quality of his voice and his manner of using it. He had his full meed of applause. Little more than this is customarily asked of the man who sings the lover's music. Yet he could be more than a stick on the stage. Probably on the occasion of his Metropolitan debut Mr. Peerce thought of about two things: the conductor, and his duty as a singer. Yet he appeared confident, cool, an Alfredo by no means as green or excited as the ardent young man of the beau monde of the Paris of the Fifties. The last special consideration of the afternoon was suspense concerning Mr. Tibbett. Had he recovered from his vocal indisposition of some months, or would there be shortcomings in the heavy father's solo of the second act? Mr. Tibbett has still need to be very careful of his vocal resources, but he sang with much of the old manly resonance and color of the voice of the leading American baritone of his day, and he sang with still more assurance his few measures in the last scene. Let us pray that he does not again drive his voice unduly and that he gives it ample opportunity to come ully into its own. The audience warmly welcomed his return to the Metropolitan stage. |
Autor: | Floria Muy Tosca [ 17 Nov 2017 23:45 ] |
Asunto: | Re: Ópera completa en youtube: links |
https://www.youtube.com/watch?v=XPYjqz7nToY Don Giovanni, Fürtwangler, 1954 en Salzburgo. Entre el ritmo tan lento, el italiano de pedernal de los cantantes y las calcillas del protagonista (más que Don Juan parece Don Mendo) no he disfrutado nada. No me he podido ni concentrar en lo que estaba viendo. |
Autor: | Yllanes [ 18 Nov 2017 1:48 ] |
Asunto: | Re: Ópera completa en youtube: links |
Pues a mí me encanta esta versión, la mejor en vídeo de Don Giovanni para mi gusto. Y Cesare Siepi es mi Don Giovanni preferido. Aún así coincido en que Fürtwangler se pasa de lento a veces (por ejemplo, en la escena del convidado de piedra). |
Autor: | Siegfried [ 18 Nov 2017 14:53 ] |
Asunto: | Re: Ópera completa en youtube: links |
https://www.youtube.com/watch?v=i7Teu60nNYc Esta es la misma pero en HD. A mi la versión me fascina, y (al igual que Yllanes, y como supondreis) Siepi es mi Don Giovanni. Y la lentitud... para mi ni siquiera en toda la escena del Commendatore es palpable, solo cuando le da la mano, a partir del "Dammi la mano in pegno" hasta que le sentencia con el "Ah, tempo più non v'è", el resto muy bien, de hecho la parte del "Pentiti" esa lentitud funesta es muy acertada. Y mira que yo odio que le quiten fuerza a la música... Si algo me molesta es la nula expresividad de Dermota, Grümmer y Berger, estas dos últimas más cara de pánfilas, a lo largo de la ópera, no podían tener. |
Autor: | angelparsifal [ 22 Nov 2017 19:10 ] |
Asunto: | Re: Ópera completa en youtube: links |
Els Pirineus, de Felipe Pedrell, en aquella histórica recuperación que hizo el Liceu en el año 2003. Felip Pedrell ELS PIRINEUS Ermessinda de Castellbò - Elisabete Matos Comte de Foix - Vicente Ombuena Bardo dels Pirineus/ Bernart Sicart/ Almirall Roger de Llúria : Philip Cutlip Raimon de Miravall: Joan Cabero Legat del Papa/ Llombard: Stefano Palatchi Brunissenda de Cabaret/ Bertran: Rosa Mateu Gemèsquia de Minerva/ Lisardo: Ofelia Sala Adelaida de Penautier: Maria Luisa Muntada Raimon: Marina Rodríguez Cusí Raig de Lluna: Stella Doufexis L'Inquisidor Izarn: Celestino Varela Monko: José Luis Casanova Ullric: Ivo Mitxev Riusec: Jordi Figueres Orquesta Sinfónica y Coro del Gran Teatre del Liceu Edmon Colomer, director de orquesta William Spaulding, maestro de coro. https://www.youtube.com/watch?v=Au4LTbE5N8w |
Autor: | El Chino Cudeiro [ 22 Nov 2017 22:52 ] |
Asunto: | Re: Ópera completa en youtube: links |
Metropolitan Opera House December 21, 1935 Matinee Broadcast LOHENGRIN {402} Wagner-Wagner Lohengrin...............Lauritz Melchior Elsa....................Lotte Lehmann Ortrud..................Marjorie Lawrence Telramund...............Friedrich Schorr King Heinrich...........Emanuel List Herald..................Julius Huehn [Debut] Conductor...............Artur Bodanzky https://www.youtube.com/watch?v=mb1akz5pIWg&t= Review of Marcia Davenport in the March 1936 issue of Stage magazine: As it has been for some years now, the company is still at its best in Wagner. Here the full value of the greatly improved orchestra is immediately apparent, and when he feels in the mood Mr. Bodanzky can extract some good sounds from it. The first "Lohengrin" of the season presented Lotte Lehmann and Lauritz Melchior in roles which only artists so good can make credible. Lohengrin is a sap, as somebody observed, to foist his incognito on a woman who is a bigger sap taking a husband with fewer credentials than she would demand from a butler. Yet what Lehmann and Melchior do for these two saps is worth making an effort to hear. Elsa was sung with virginal freshness and rapture that never fail to be truly moving; but far more satisfying, since it gave the artist something to sink her teeth into, was the Elisabeth she sang in "Tannhäuser" the following week. There is nothing on the operatic stage to be heard and seen like the authentic ecstasy of Lotte Lehmann's greeting to the Hall of Song, and nothing more heartrending than her prayer beside the shrine, twenty years later. When she raises her voice in the soaring, piteous supplication "Allmächtige Jungfrau" she invests the music and the situation with one of the genuine inspirations that are the whole reason for opera's existence - and that, nevertheless, will always be too rare. There is something compelling in the indubitable fact that no matter what the extent and excellence of a great singer's repertoire, there are always some parts, more often one particular part, in which the artist achieves a perfect psychological and physical unity with the character. In the case of Lehmann her Elisabeth is one such part, and in the case of Kirsten Flagstad, Isolde is another. It may be harsh to judge Flagstad for her Elsa and her Elisabeth, both of which, when she sang them recently, were projected with excellent musicianship and sincere artistry, but which failed to convey the inner quality of either legendary maiden. On the other hand, her Isolde is a miracle. No more valid inspiration, and no better singing the difficulties could be realized. Metropolitan Opera House November 22, 1947 Matinee Broadcast UN BALLO IN MASCHERA {47} Giuseppe Verdi--Antonio Somma Amelia..................Daniza Ilitsch Riccardo................Jan Peerce Renato..................Leonard Warren Ulrica..................Margaret Harshaw Oscar...................Pierrette Alarie Samuel..................Giacomo Vaghi Tom.....................Lorenzo Alvary Silvano.................John Baker Judge...................Leslie Chabay Servant.................Lodovico Oliviero Dance...................Nina Boneck Dance...................Elissa Minet Dance...................Tilda Morse Dance...................Peggy Smithers Dance...................Robert Armstrong Dance...................Josef Carmassi Dance...................Karl Klauser Dance...................William Sarazen Conductor...............Giuseppe Antonicelli https://www.youtube.com/watch?v=5eksgJdMWrw Verdi: Un Ballo in Maschera Riccardo: Mirto Picchi Renato: Paolo Silveri Amelia: Ljuba Welitsch Ulrica: Jean Watson Oscar: Alda Noni Samuel: Ian Wallace Tom: Hervey Alan Silvano: Francis Loring The Judge: George Israel Servant: Leslie Fyson Glyndebourne Festival Chorus Royal Philharmonic Orchestra Conductor: Vittorio Gui. Kings Theatre, Edinburgh. 1949. https://www.youtube.com/watch?v=tazKT30Rl-g&t= |
Autor: | angelparsifal [ 28 Nov 2017 22:29 ] |
Asunto: | Re: Ópera completa en youtube: links |
Desde las profundidades de la Radio Bávara y los sellos piratas, aquí un Holandés inédito del Festival de Bayreuth de 1956, con Paul Schöffler como el Holandés y Ludwig Weber como Daland, y el resto del reparto igual al de la versión oficial; con una Varnay espléndida. https://www.youtube.com/watch?v=ArEYllICUMk Richard Wagner DER FLIEGENDE HOLLÄNDER Daland - Ludwig Weber Senta - Astrid Varnay Erik - Josef Traxel Mary - Elisabeth Schärtel Der Steuermann - Jean Cox Der Holländer - Paul Schöffler Bayreuth, 24 de agosto de 1956 |
Autor: | El Chino Cudeiro [ 02 Dic 2017 21:24 ] |
Asunto: | Re: Ópera completa en youtube: links |
VERDI - Falstaff Falstaff - Mariano Stabile Ford - Pietro Biasini Fenton - Dino Borgioli Dr.Cajus - Alfredo Tedeschi Bardolph - Giuseppe Nessi Pistol - Virgilio Lazzari Mrs.Ford - Franca Somigli Nanette - Augusta Oltrabella Mrs.Page - Mita Vasari Mrs.Quickly - Angelica Cravcenco Vienna Philharmonic Orchestra Vienna State Opera Ballet & Chorus conducted by Arturo Toscanini Salzburg Festspielhaus, august 1937. https://www.youtube.com/watch?v=lY34BDRFgN4 Metropolitan Opera House March 11, 1939 Matinee Broadcast RIGOLETTO {229} Giuseppe Verdi--Francesco Maria Piave Rigoletto...............Lawrence Tibbett Gilda...................Lily Pons Duke of Mantua..........Jan Kiepura Maddalena...............Helen Olheim Sparafucile.............Virgilio Lazzari Monterone...............Norman Cordon Borsa...................Giordano Paltrinieri Marullo.................George Cehanovsky Count Ceprano...........Wilfred Engelman Countess Ceprano........Pearl Besuner Giovanna................Thelma Votipka Page....................Lucielle Browning Conductor...............Gennaro Papi https://www.youtube.com/watch?v=Zb1pT_iuEgc&t Metropolitan Opera House February 20, 1943 Matinee Broadcast LOUISE {42} Louise..................Grace Moore Julien..................Raoul Jobin Mother..................Doris Doe Father..................Ezio Pinza Blanche.................Helen Olheim Marguerite..............Mary Van Kirk Suzanne.................Lucielle Browning Gertrude................Irra Petina Irma....................Maxine Stellman Camille.................Thelma Votipka Élise...................Annamary Dickey Madeleine...............Anna Kaskas Errand Girl.............Lillian Raymondi Forewoman...............Maria Savage [Last performance] Ragpicker...............John Gurney Young Ragpicker.........Lucielle Browning Coal Gatherer...........Anna Kaskas Noctambulist............Alessio De Paolis Newsgirl................Annamary Dickey Junkman.................Louis D'Angelo Milkwoman...............Maxine Stellman Policeman...............Emery Darcy Policeman...............Gerhard Pechner Street Arab.............Lillian Raymondi Streetsweeper...........Maria Savage Painter.................Wilfred Engelman Sculptor................Lodovico Oliviero Songwriter..............George Cehanovsky Student.................John Dudley Poet....................John Garris Philosopher.............Lorenzo Alvary Philosopher.............Walter Cassel Chairmender.............Anna Kaskas Peddler.................George Cehanovsky Artichoke Vendor........Thelma Votipka Birdfood Vendor.........Tony D'Addozio [Last performance] Carrot Vendor...........Alessio De Paolis Watercress Vendor.......Anna Kaskas Greenpeas Vendor........John Dudley Old Clothes Man.........John Dudley Pope of Fools...........Alessio De Paolis Dance...................Nina Youskevitch Conductor...............Thomas Beecham https://www.youtube.com/watch?v=HMFG6dqPbOE Metropolitan Opera House February 5, 1949 Matinee Broadcast L'ELISIR D'AMORE {64} Adina...................Bidú Sayao Nemorino................Ferruccio Tagliavini Belcore.................Frank Valentino Dr. Dulcamara...........Italo Tajo Giannetta...............Inge Manski Conductor...............Giuseppe Antonicelli https://www.youtube.com/watch?v=pZXd43gtYIA Review of James Hinton Jr. in Musical America The Saturday afternoon broadcast presentation of "L'Elisir D'Amore" was a spirited affair. Bidu Sayao was again the Adina, and gave a performance that was delicate and charming in every respect. Ferruccio Tagliavini, as Nemorino, did a thoroughly competent job of bumpkin impersonation, and sang with lovely tone and carefully shaded dynamics. Italo Tajo was all that could be desired as Dulcamara, singing and acting with a vitality that, while it commanded the stage during his big moments, never got in the way of the other singers. Francesco Valentino, replacing Giuseppe Valdengo, who was indisposed, gave a performance that was in the exhilarating spirit of the afternoon, and Inge Manski's Ginnetta was an ornament to the stage. Giuseppe Antonicelli conducted |
Autor: | El Chino Cudeiro [ 05 Dic 2017 21:06 ] |
Asunto: | Re: Ópera completa en youtube: links |
Metropolitan Opera House January 20, 1940 Matinee Broadcast ORFEO ED EURIDICE {47} Orfeo...................Kerstin Thorborg Euridice................Jarmila Novotna Amore...................Marita Farell Happy Shade.............Annamary Dickey Dance...................Doris Neal Dance...................Monna Montes Dance...................Grant Mouradoff Conductor...............Erich Leinsdorf https://www.youtube.com/watch?v=0rREEH1mo9s Verdi: Falstaff. Falstaff - Mariano Stabile Fenton - Ferruccio Tagliavini Ford - Tito Gobbi Dr. Cajus - Adelio Zagonora Bardolfo - Cesare Masini-Sperti Alice Ford - Franca Somigli Nannetta - Augusta Oltrabella Meg Page - Vittorico Palambini Mistress Quickly - Cloe Elmo Pistola - Giulio Neri? Orchestra and Chorus del Teatro Reale dell'Opera di Roma Conductor - Tullio Serafin Berlin, 1941. https://www.youtube.com/watch?v=POt5FK8A6Ik |
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