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 Asunto: Re: Ópera completa en youtube: links
NotaPublicado: 09 Dic 2017 13:01 
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angelparsifal escribió:
Desde las profundidades de la Radio Bávara y los sellos piratas, aquí un Holandés inédito del Festival de Bayreuth de 1956, con Paul Schöffler como el Holandés y Ludwig Weber como Daland, y el resto del reparto igual al de la versión oficial; con una Varnay espléndida.

https://www.youtube.com/watch?v=ArEYllICUMk


Muchas gracias por el enlace, angel; lo escucho en cuanto saque un rato.

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 Asunto: Re: Ópera completa en youtube: links
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Giuseppe Verdi (1813-1901) "LA FORZA DEL DESTINO".

Direttore d'orchestra.…………………..Mario Rossi.

Don Alvaro…………………………….........Flaviano Labò.
Don Carlo di Vargas……………………..Mario Zanasi.
Leonora di Vargas……………………....Rita Orlandi Malaspina.
Padre Guardiano………………………....Paolo Washington.
Fra Melitone………………………….........Giorgio Giorgetti.
Preziosilla.…………………………….........Franca Mattiucci.
Un Alcalde.……………………………........Bruno Frella.
Un chirurgo militare.…………………….Enzo Venchi.
Il Marchese di Calatrava……………..Gianfranco Casarini.
Curra.……………………………………..........Anna Lia Bazzani.

Orchestra e coro del Teatro Comunale di Bologna - Febbraio 17, 1970.
https://www.youtube.com/watch?v=wr7roi6j0j0&t


Jules Massenet (1842-1912) "WERTHER".

Direttore d'orchestra..........Antonino Votto.

Werther...............................Alfredo Kraus.
Charlotte.............................Virginia Zeani.
Sophie.................................Valeria Mariconda.
Albert..................................Domenico Trimarchi.
Le Bailli...............................Mario Basiola Jr.
Johann................................Mario Ferrara.
Schmidt...............................Guido Malfatti.
Brühlmann..........................Danilo Capri.
Kätchen ..............................Elisabetta Jaroszewicz.

Orchestra e coro del Teatro Massimo di Palermo - Febbraio 26, 1971.
https://www.youtube.com/watch?v=4TLJmv9Yo3U


Giuseppe Verdi (1813-1901) "NABUCCO".

Direttore d'orchestra: Nino Sanzogno.

Nabucco: Mario Zanasi.
Abigaille: Ángeles Gulín.
Ismaele: Gastone Limarilli.
Zaccaria: Bonaldo Giaiotti.
Fenena: Mirna Pecile.
Il Gran Sacerdote di Belo: Alessandro Maddalena.
Abdalo: Guido Fabbris.
Anna: Marisa Zotti.

Orchestra e Coro del Teatro La Fenice Venezia - Novembre 30, 1972.
https://www.youtube.com/watch?v=lHqv8mTNkKo

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tu, l' Eterna canzon!


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 Asunto: Re: Ópera completa en youtube: links
NotaPublicado: 13 Dic 2017 23:17 
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Es una lástima, que acontecimientos como esos solo perduren en audio.


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 Asunto: Re: Ópera completa en youtube: links
NotaPublicado: 14 Dic 2017 16:43 
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¡Qué bueno era Mario Zanasi! Le faltaba algo de personalidad en su condición de seguidor (de buena ley) de Galeffi, pero esto era su mayor fortaleza.


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 Asunto: Re: Ópera completa en youtube: links
NotaPublicado: 14 Dic 2017 20:28 
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Gino escribió:
¡Qué bueno era Mario Zanasi!


+1. Lástima que, quizás por la competencia que tuvo en su época, en la actualidad sea un barítono poco recordado.

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 Asunto: Re: Ópera completa en youtube: links
NotaPublicado: 19 Dic 2017 18:53 
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Por navidad, les presento un Anillo entero ... aunque no es precisamente el de Karl Böhm. Ni el de Barenboim. Pero es bastante decente.

Richard Wagner
DAS RHEINGOLD
Wotan -Siegmund Nimsgern
Donner - Johann-Werner Prein
Froh - Timothy Jenkins
Loge - Manfred Jung
Fricka - Hanna Schwarz
Freia - Lucy Peacock
Erda - Anne Gjevang
Alberich - Hermann Becht
Mime - Peter Haage
Fasolt - Hans Tschammer
Fafner - Dieter Schweikart
Woglinde - Agnes Habereder
Wellgunde - Silvia Herman
Floßhilde - Birgitta Svendén

Bayreuth Festival Orchestra
Peter Schneider, conductor

Live recording at Bayreuth Festspielhaus
July 27, 1985
https://www.youtube.com/watch?v=tMlKQsbLu9s

Richard Wagner
DIE WALKÜRE

Siegmund - Siegfried Jerusalem
Hunding - Matthias Hölle
Wotan - Siegmund Nimsgern
Sieglinde - Jeannine Altmeyer
Brünnhilde - Hildegard Behrens
Fricka - Hanna Schwarz
Gerhilde- Lucy Peacock
Ortlinde - Sophia Larson
Waltraute - Ingrid Karrasch
Schwertleite - Ruthild Engert-Ely
Helmwige - Agnes Habereder
Siegrune - Margit Neubauer
Grimgerde - Birgitta Svendén
Rossweisse - Isolde Elchlepp


Bayreuth Festival Orchestra
Peter Schneider, conductor

Live recording at Bayreuth Festspielhaus
July 28, 1985
https://www.youtube.com/watch?v=GjCXG2ZsrYs

Richard Wagner
SIEGFRIED

Siegfried - Toni Krämer
Mime - Peter Haage
Der Wanderer - Siegmund Nimsgern
Alberich - Hermann Becht
Fafner - Dieter Schweikart
Erda - Anne Gjevang
Brünnhilde - Hildegard Behrens
Waldvogel - Hilde Leidland
Bayreuth Festival Orchestra
Peter Schneider, conductor

Live recording at Bayreuth Festspielhaus
July 30, 1985
https://www.youtube.com/watch?v=AjbEF1OXmF0

Richard Wagner
GÖTTERDÄMMERUNG

Siegfried - Manfred Jung
Gunther -Franz Mazura
Alberich - Hermann Becht
Hagen - Fritz Hübner
Brünnhilde - Hildegard Behrens
Gutrune - Sophia Larson
Waltraute - Hanna Schwarz
1. Norn - Anne Gjevang
2. Norn -Hanna Schwarz
3. Norn - Gabriele Schnaut
Woglinde - Agnes Habereder
Wellgunde - Silvia Herman
Floßhilde - Birgitta Svendén

Bayreuth Festival Orchestra and Chorus
Peter Schneider, conductor
Norbert Balatsch, chorus master

Live recording at Bayreuth Festspielhaus
August 1, 1985
https://www.youtube.com/watch?v=9Y18lWQnxh8

Que lo disfruten, si están interesados.

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https://emocionesliricas.blogspot.com.es/


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 Asunto: Re: Ópera completa en youtube: links
NotaPublicado: 09 Ene 2018 18:46 
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Metropolitan Opera House
March 7, 1942 Matinee Broadcast

DON GIOVANNI {109}

Don Giovanni............Ezio Pinza
Donna Anna..............Rose Bampton
Don Ottavio.............Charles Kullman
Donna Elvira............Jarmila Novotna
Leporello...............Alexander Kipnis
Zerlina.................Bidú Sayao
Masetto.................Mack Harrell
Commendatore............Norman Cordon

Conductor...............Bruno Walter

https://www.youtube.com/watch?v=DwSkBywk4Io

Review of Olin Downes in The New York Times:

KIPNIS IN NEW ROLE IN 'DON GIOVANNI'

He appears as Leporello for the first Time in Mozart Opera Given at Metropolitan

The production of Mozart's "Don Giovanni" with Bruno Walter in the conductor's chair is now one of the brightest ornaments of the Metropolitan's repertory and the performance of yesterday afternoon when Alexander Kipnis made his first appearance in Leporello's role was if anything superior to previous ones under the same great leader.

Above all this performance had the swift pace and the racy quality which should inhere in the show with the descriptive adjective "Giocosa." It is a Shakespearean succession of scenes: the tragic end of Giovanni by no means indication of the nature of each of the episodes. For the legion runs on with every aspect of human nature finding play in it, and burlesque cheek by jowl with the figure of the disparing Donna Anna, and the balked and some times shrewish emoting of Donna Elvira, and the by-play of the unclean Leporello. The thing is to keep this motley in the full consciousness of the audience by means of dramatic characterization and Mozart's music.

Vocal Style Distinguished

It was a pleasure to perceive in Mr. Kipnis a singer who is an artist to his fingertips, who knows well the tradition of his role -- and who knows so well the difference between humor and farce. To say nothing of his voice and his distinguished vocal style. This was the outstanding new feature of the occasion.

The role of Masetto was taken for the first time on this stage by Mack Harrell and competently sung, but acted in that boyish Hansel-and-Gretel fashion in the first scene with Zerlina which is so completely wide of the mark and uncharacteristic of the frowsy, hard, suspicious peasant-who's a man for all that-of da Ponte's indication. And in the scene between the pair there was more of that superfluous and unadvisable detail which sometimes clutters Metropolitan dramatic presentation.

At the same time more important things are missed in the setup. One of these is the setting of the graveyard scene, which could be so macabre, which could and should reveal in an unearthly moonlight shining down on the statue, the most terrifying moment --the moment when the Commandant's statue nods its acceptance of the Don's invitation, that preluding to his doom.

Aria Greeted by Applause

But in the main an admirable performance, with Mr. Pinza in exceptional form. No wonder the applause crashed out after his champagne aria. But in scene after scene this role seems to have grown with him, grown in significance and versatility of dramatic effect. Supplementing the qualities of the superb voice. Then there was the truly passionate Donna Anna of Rose Bampton, sung with the most moving sincerity, and often despite the fact the fact that it often makes demands of dramatic expression in song more intense and more convincing than any other recent treatment of the part in this city.

Mmes. Novotna's Elvira has, if anything, excessive refinement, though it is beautifully done and the execution of the music met with a high intelligence and skill in resources. Miss Sayao's Zerlina has often been praised and justly.

Above all there was the conducting of Mr. Walter, the sensitive performance of the orchestra, the unity of the ensemble and of the whole interpretive scheme. Once more the indispensability of a great conductor for a great performance was demonstrated. The verdict of the audience was shown in the applause which followed and which often interrupted the performance.


ImagenImagen
ImagenImagen

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tu, l' Eterna canzon!


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 Asunto: Re: Ópera completa en youtube: links
NotaPublicado: 09 Ene 2018 18:51 
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Metropolitan Opera House
December 27, 1947 Matinee Broadcast

IL TROVATORE {236}
Giuseppe Verdi--Salvatore Cammarano

Manrico.................Jussi Björling
Leonora.................Stella Roman
Count Di Luna...........Leonard Warren
Azucena.................Margaret Harshaw
Ferrando................Giacomo Vaghi
Ines....................Inge Manski
Ruiz....................Lodovico Oliviero
Gypsy...................John Baker

Conductor...............Emil Cooper
https://www.youtube.com/watch?v=4NpkF2L21sw


Metropolitan Opera House
December 18, 1948 Matinee Broadcast

OTELLO {96}
Giuseppe Verdi--Arrigo Boito

Otello..................Ramon Vinay
Desdemona...............Licia Albanese
Iago....................Leonard Warren
Emilia..................Martha Lipton
Cassio..................John Garris
Lodovico................Nicola Moscona
Montàno.................Clifford Harvuot
Roderigo................Thomas Hayward
Herald..................Philip Kinsman

Conductor...............Fritz Busch
https://www.youtube.com/watch?v=c1Tp89-ht6E


Metropolitan Opera House
January 29, 1949 Matinee Broadcast

DIE WALKÜRE {362}

Brünnhilde..............Helen Traubel
Siegmund................Max Lorenz
Sieglinde...............Rose Bampton
Wotan...................Joel Berglund
Fricka..................Kerstin Thorborg
Hunding.................Luben Vichey
Gerhilde................Thelma Votipka
Grimgerde...............Claramae Turner
Helmwige................Regina Resnik
Ortlinde................Irene Jessner
Rossweisse..............Lucielle Browning
Schwertleite............Jean Madeira
Siegrune................Hertha Glaz
Waltraute...............Jeanne Palmer

Conductor...............Fritz Stiedry
https://www.youtube.com/watch?v=vNc46VF4oEY

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tu, l' Eterna canzon!


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 Asunto: Re: Ópera completa en youtube: links
NotaPublicado: 09 Ene 2018 18:56 
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Das Rheingold - Wagner
Royal Opera House, Covent Garden
25th September, 1957

Wotan.................Hans Hotter
Fricka.................Georgine von Milinkovic
Loge...................Erich Witte
Mime..................Peter Klein
Alberich..............Otakar Kraus
Freia...................Elisabeth Lindermeier
Froh....................Edgar Evans
Donner................Robert Allman
Erda....................Maria von Ilosvay
Fasolt.................Kurt Böhme
Fafner.................Frederick Dalberg
Woglinde...........Joan Sutherland
Wellgunde..........Una Hale
Floßhilde............Marjorie Thomas

Conductor..........Rudolf Kempe

https://www.youtube.com/watch?v=6aOJlOmG89Y

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Anche l' idea muor, tu non muori giammai,
tu, l' Eterna canzon!


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 Asunto: Re: Ópera completa en youtube: links
NotaPublicado: 09 Ene 2018 21:08 
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Todo ese Anillo es extraordinario, superior al dirigido en Bayreuth por el propio Kempe.

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Para saber mucho: vivir muchos años, caminar muchas tierras, leer buenos libros o conversar con amigos sabios y discretos. (Baltasar Gracián)


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 Asunto: Re: Ópera completa en youtube: links
NotaPublicado: 11 Ene 2018 19:14 
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Metropolitan Opera House
December 16, 1939 Matinee Broadcast

TANNHÄUSER {314}

Tannhäuser..............Eyvind Laholm [Last performance]
Elisabeth...............Kirsten Flagstad
Wolfram.................Herbert Janssen
Venus...................Rose Pauly
Hermann.................Emanuel List
Walther.................John Carter
Heinrich................Giordano Paltrinieri
Biterolf................Mack Harrell [Debut]
Reinmar.................John Gurney
Shepherd................Maxine Stellman
Dance...................Ruthanna Boris
Dance...................Monna Montes
Dance...................Lillian Moore
Dance...................Beatrice Weinberger
Dance...................Doris Neal
Dance...................Ruth Harris
Dance...................Grant Mouradoff
Dance...................George Chaffee

Conductor...............Erich Leinsdorf

https://www.youtube.com/watch?v=8sZrHniLL2I

Review of Francis D. Perkins in the Herald Tribune

New Impersonations

Only four of the solo singers who inhabited Wagner's thirteenth century Wartburg and mythical Venusberg at the Metropolitan fifteen days before returned to this part of the Metropolitan's Thuringia for the season's second performance of "Tannhäuser" yesterday afternoon. An American Tannhäuser, Eyvind Laholm, resisted the appeals of a Venus, Rose Pauly, who also had not appeared before in this work on a New York stage. Mack Harrell, one of last season's winners in the radio auditions for aspiring opera singers, donned his first Metropolitan costume as Biterolf, and John Carter was heard for the second in a regular subscription performance as Walther.

For her first impersonation here of a role other than Elektra, Mme. Pauly was called upon to sing more music that that which has been usually assigned to Venus in local performances of "Tannhäuser" in recent years, since Mr. Leinsdorf presented the [first] scene in full, including the dialogue between Venus and Tannhäuser in which, as Lawrence Gilman observed in his last published book, "Wagner's Operas," the chief treasures of the revised score in the work are to be found. This includes some of the most striking examples of the re-creative work accomplished by Wagner for the Paris production of his fifth opera in 1861; here we are in a musical world represented by "Tristan und Isolde," "Parsifal," and the "Ring."

Mme. Pauly's Venus did not call for an effort on the part of the spectator to imagine a goddess whom Tannhäuser would desert with reluctance, and her portrayal of the role, if characterized at times by somewhat posed gestures, was dramatically sympathetic. Her singing, however, exhibited previously noted drawbacks, and seldom was marked by the expressive warmth of which her recent recital showed her to be capable. Another appearance may show more of this and less of the difficulty in finding tonal fullness or focus which was noticeable for most of the time yesterday in this emotionally and vocally exacting music.

Somewhat similar vocal liabilities could be noted in Mr. Laholm's singing in this scene, but, after Tannhäuser had emerged into the vernal valley near the Wartburg, the Wisconsin tenor's notes showed a higher average of vocal merit that that which had characterized his Siegmund in his debut early this month. Vocal unevenness was still in evidence, but the potentialities of his voice at its best were frequently revealed, with tones of generous volume and well produced quality. His Tannhäuser, like his Siegmund, was very credible to the eye and, while one was not always conscious of the character's wide gamut of emotions, there were measures, as in the prayer in the second scene of the first act, the finale of the second act and in parts of the narrative of the pilgrimage, which were sung and portrayed with communicative expressive conviction.

Mr. Harrell, in his debut as Biterolf, displayed a good quality of tone, but under the circumstances of a Metropolitan first appearance, did not have the vocal freedom of his recent singing on the concert stage. The net impression, however, was one of promise. Mr. Carter's gave relatively little evidence for vocal comment, although there seemed to somewhat more vocal volume than when he had represented the Italian singer in "Der Rosenkavalier."

When Mme. Flagstad is in the cast, however, a listener's memories are likely to dwell most fondly upon the interpretation of the leading soprano role. What with the verbal demands of a performance including a debut and three other new impersonations, an extensive rhapsody upon the glories of her voice and the sensitive communication of her portrayal of Elizabeth, considered as a whole, must be foregone. At times in softer passages, one was aware that the admirable Norwegian singer has had an exacting schedule thus far, but the fullness and power of her top notes were impressively present. Her singing made its hearers fully conscious of the exultation of "Dich, theure Halle," the devout resignation in Elizabeth's prayer.

The major vocal honors of the afternoon were shared by Mr. Janssen in his eloquent and well phrased singing of Wolfram's lines, and also by Miss Stellman in her few measures as the Shepherd. Mr. List, reappearing as the Landgrave, was in creditable, if not unexceptionable, voice. Mr. Leinsdorf, whose orchestra was in good form, missed some of the momentum of the Bacchanal and the emotional concentration of the ensuing colloquy, but the general spirit of the performance and coordination of its elements revealed increasing understanding of the score on the part of the talented young conductor.

_________________
Anche l' idea muor, tu non muori giammai,
tu, l' Eterna canzon!


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 Asunto: Re: Ópera completa en youtube: links
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Metropolitan Opera House
March 13, 1954 Matinee Broadcast

DON GIOVANNI {176}

Don Giovanni............George London
Donna Anna..............Margaret Harshaw
Don Ottavio.............Eugene Conley
Donna Elvira............Eleanor Steber
Leporello...............Fernando Corena
Zerlina.................Nadine Conner
Masetto.................Lorenzo Alvary
Commendatore............Luben Vichey

Conductor...............Max Rudolf

https://www.youtube.com/watch?v=D17SaAeZRDk

Imagen

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tu, l' Eterna canzon!


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 Asunto: Re: Ópera completa en youtube: links
NotaPublicado: 13 Ene 2018 19:53 
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He estado oyendo el Holandés del 56 y no creo que aporte gran cosa a los otros Holandeses de Keilberth. Primero porque la calidad de la grabación es un poco pallá y segundo porque Schöffler, aunque no era un piernas, está un escalón por debajo de London o Uhde. En cualquier caso, bienvenida como curiosidad. :D

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Para saber mucho: vivir muchos años, caminar muchas tierras, leer buenos libros o conversar con amigos sabios y discretos. (Baltasar Gracián)


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