Eso es una neoginasterada.
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| Música contemporánea http://unanocheenlaopera.com/viewtopic.php?f=16&t=10829 |
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| Autor: | delaforce [ 28 Oct 2014 14:02 ] |
| Asunto: | Re: Música contemporánea |
Nos vamos un momento a las antípodas. Del compositor australiano Carl Vine, su sonata para piano no.1, compuesta en 1990: http://www.youtube.com/watch?v=5VlstpA3Sjs |
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| Autor: | delaforce [ 05 Nov 2014 18:55 ] |
| Asunto: | Re: Música contemporánea |
Rivières et marées by the Canadian composer Eric Champagne: http://www.youtube.com/watch?v=z8tqLXKr_M4 |
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| Autor: | delaforce [ 11 Nov 2014 13:29 ] |
| Asunto: | Re: Música contemporánea |
Diez bagatelas para piano (1991), de Nicolai Kapustin: http://www.youtube.com/watch?v=t1iQdxAmaog |
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| Autor: | delaforce [ 18 Nov 2014 20:37 ] |
| Asunto: | Re: Música contemporánea |
"Colores de la cruz del sur", pieza escrita el año 2002 por el compositor argentino Esteban Benzecry: http://www.youtube.com/watch?v=Wvze0RPU6oA |
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| Autor: | Zelenka [ 20 Nov 2014 19:06 ] |
| Asunto: | Re: Música contemporánea |
Eso es una neoginasterada.
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| Autor: | delaforce [ 21 Nov 2014 12:54 ] |
| Asunto: | Re: Música contemporánea |
Más contemporánea, imposible. "Inconjunctions (for ensemble)" escrita por Brian Ferneyhough en este año 2014: http://www.youtube.com/watch?v=jH5pTtJWJy8 |
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| Autor: | delaforce [ 25 Nov 2014 14:03 ] |
| Asunto: | Re: Música contemporánea |
Una obra de la compositora francesa de música electroacústica Michèle Bokanowski, escrita en 1984, Tabou: http://www.youtube.com/watch?v=lMRXuNSQz4M |
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| Autor: | delaforce [ 30 Nov 2014 17:43 ] |
| Asunto: | Re: Música contemporánea |
Threnody to Toki para piano y orquesta de cuerdas, escrita por Takashi Yoshimatsu en 1980: http://www.youtube.com/watch?v=eqCbMCHX5ZU |
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| Autor: | delaforce [ 07 Dic 2014 21:46 ] |
| Asunto: | Re: Música contemporánea |
Klaus Lang - The Ocean of yes and no (2008): http://www.youtube.com/watch?v=I54YF974Fc0 |
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| Autor: | delaforce [ 11 Dic 2014 13:53 ] |
| Asunto: | Re: Música contemporánea |
Del compositor alemán afincado en Estados Unidos, Hans Tutschku, vamos a escuchar Zellen-linien, compuesta en 2007, para piano y electrónica: http://www.youtube.com/watch?v=jo-QV2jiSUc |
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| Autor: | delaforce [ 21 Dic 2014 20:39 ] |
| Asunto: | Re: Música contemporánea |
Michael Finnissy - Verdi transcriptions: http://www.youtube.com/watch?v=-4fsY6f7AeA These pieces are, and quite obviously from the start, not simply about Verdi. They form a critique of a musical culture which is over-saturated in its past. About a world which is cushioning itself in mythology as an alternative to addressing the present. How? By dissection, analysis, parody and by self-dramatised intent. Verdi is an emotional and political artist, perhaps not always as sophisticated as some, but always and sometimes abrasively honest, and – in case there is any doubt about it – I have loved his music deeply since I first encountered it in my late teens. This cycle employs material from all of Verdi’s operas (some more than once), from his String Quartet and from the opening section of his Requiem. The work is divided into four sequences, each containing nine ‘transcriptions’. The second of these sequences is dedicated to Stephen Pruslin, the third to Marilyn Nonken and the fourth to Jonathan Powell. They are called ‘transcription’ not only in deference to the nineteenth century ‘tradition’ of virtuosic pianism (amply elucidated by Busoni), but also because each one is written ‘through’ rather than mapped out, the nine sub-sections of each sequence are designedly continuous, rather than self-contained entities. The operas are arranged in chronological order, and each of the four sequences has roughly the same shape. The opening transcription of each sequence occurs in ever higher registers of the piano keyboard, the fifth of each sequence turns Verdi’s original into a cantus firmus (located alternately in the left and right hands). A rapid and staccato ‘scherzando’ section is placed near the beginning of each, and an extended ‘fantasia’ occupies a fairly central position in all four sequences. The material is treated with the same flexibility and subjectivity as the folk-music in Folklore, and as in that work the conventions and attitudes which have shaped our current (maybe ‘my current’) notions of music (either ethnic or Verdian) are part of the dialectic and stucture (as Pasolini remarked of his Saint Matthew, that is drew from the original gospel PLUS the intervening two thousand years of Christianity). This work was started in 1972 and completed in 2005. |
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| Autor: | delaforce [ 14 Ene 2015 14:04 ] |
| Asunto: | Re: Música contemporánea |
Parte del "Voices and Piano", de Peter Ablinger, que actualmente va por unas seis horas y media de duración: http://www.youtube.com/watch?v=HlVbSFo3z3E |
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| Autor: | delaforce [ 22 Ene 2015 12:59 ] |
| Asunto: | Re: Música contemporánea |
Kevin Volans es un compositor sudafricano, activo desde los años 70, cuando estuvo estudiando en Colonia con Stockhausen. Tal vez su pieza más conocida sea "White Man Sleeps", escrita a principios de los años 80, y después convertida a cuarteto de cuerda e interpretada por el Kronos Quartet: http://www.youtube.com/watch?v=nBwHGeMM8dc |
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| Autor: | delaforce [ 28 Ene 2015 12:36 ] |
| Asunto: | Re: Música contemporánea |
Hace ya un par de años que falleció el bajista y compositor italiano Stefano Scodanibbio. Escuchemos una de sus obras más conocidas, "Geografia amorosa", compuesta el año 2000: http://www.youtube.com/watch?v=cgm8rPEtGBA |
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| Autor: | delaforce [ 26 Feb 2015 0:35 ] |
| Asunto: | Re: Música contemporánea |
Meditazione prima in eco (2002), de Daniele Bravi: http://www.youtube.com/watch?v=QgYhPpe17-Y |
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